In a quiet corner of Ghana, where most 12-year-olds are memorising times tables or chasing TikTok trends, Emily Adade Boateng is doing something far more extraordinary; she’s composing gospel music with such maturity and depth that many mistake her voice for that of someone three times her age.
While her peers sing along to gospel tunes, Emily is writing them; songs filled with clarity, spiritual depth and conviction. But this is not a fairytale. Emily’s story is very real. And like the best gospel music, it starts in humility, rises in harmony and ends in glory.
The debut that changed everything
At just 11, Emily released her debut album King of Glory, an eight-track spiritual offering filled with worship, faith and lyrical depth. Songs like Halleluyah, I Love You Lord, Mighty Rock and Ride in Victory (featuring gospel singer KDM) caught the attention of many, not just for their sound but for the power behind the words.
One standout track, Thankful Heart, was a collaboration with her sibling Ablin Adade. The song combined elements of faith, jazz and familial harmony, delivering something refreshingly different in Ghana’s gospel space.
Emily wasn’t just singing to impress; she was singing to express. And Ghana listened.
Then came the anthem
Just as she began gaining recognition, Emily released a powerful call to unity amid political division. Her song Ghana for Peace dropped in the heat of the 2024 election season, a time marked by tension and polarised views.
Featuring gospel legend Selina Boateng and produced by Jakebeatz, the track was not designed for virality. It was made to bring calm and clarity.
It did just that.
Pastors used it in sermons. Radio stations put it on repeat. Families played it at home. Even in Parliament, her name began to echo, not as a trend, but as a message of hope.
Aseda and A Star rising
Emily’s next move was a powerful one. She teamed up with Joyce Blessing, one of Ghana’s most celebrated gospel acts, for Aseda, a joyful thanksgiving track.
The collaboration wasn’t a novelty or a publicity gimmick. Emily delivered a performance that stood shoulder-to-shoulder with a veteran of the genre. It was a passing of the torch, and Emily proved herself worthy of it.
Two singles, one statement
Emily ushered in 2025 with two singles, Fakye and Yen Boafo, both released in January. Fakye was a plea for forgiveness, while Yen Boafo was a declaration of Christ as our Helper.
These were not casual releases; they were a continuation of Emily’s mission. Each track affirmed her lyrical depth and spiritual sensitivity, proof that her ministry through music had only just begun.
Miracle working God – A full gospel feast
On 21st June 2025, Emily released her sophomore album Miracle Working God, a nine-track project that further cemented her status as a force in Ghanaian gospel music. With this release, Emily’s total song output within a year reached an astounding 25.
That’s not just impressive for a child. It’s remarkable by any standard. Her output is not the pace of a budding artiste chasing fame. It is the rhythm of someone walking in her calling.
Why Emily’s music matters
Emily Adade Boateng is more than a child with talent. She’s a vessel of gospel truth.
• Versatility with Vision: Emily does not mimic popular trends. She crafts songs that span worship, praise and even national reflection.
• Collaborations Beyond Her Years: Working with revered names like Joyce Blessing and Selina Boateng before hitting her teens is not by accident. It is a sign of divine grace meeting discipline.
• Purpose Over Popularity: Her music isn’t aimed at algorithms. Songs like Ghana for Peace show her commitment to purpose, not popularity.
The present, not just the future
Many call her the future of gospel music, but that understates her impact. Emily is already here. Already changing worship experiences. Already writing songs that move both hearts and churches.
With her schoolbag on her back and a heart full of worship, Emily Adade Boateng is showing that the Holy Spirit does not wait for age to inspire. When God hands you a microphone, you sing.
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DISCLAIMER: The Views, Comments, Opinions, Contributions and Statements made by Readers and Contributors on this platform do not necessarily represent the views or policy of Multimedia Group Limited.
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